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Inflexions: A Journal for Research-creation

Publicatie Toni Pape, Halbe Kuipers

We are happy to announce the recent publication of the latest issue of Inflexions: A Journal for Research-creation, co-edited among others by our colleague Toni Pape and ASCA Ph.D. candidate Halbe Kuipers. This issue is entitled “Modes of Exhaustion” and explores the wide-spread problem of exhaustion from various angles. Contributors include Barbara Glowczewski, Peter Pál Pelbart, Alanna Thain, Marwin Vos, Sissel Marie Tonn, Nicole de Brabandere, Adam Szymanski and others. From the introduction: “This issue of Inflexions is committed to investigating what minor ways of creatively working with exhaustion might be possible or impossible today while taking into account that the range of possibility is tied to the conditioning of the field that makes these options felt as real. How can one create vacuoles in the strangling networks of social relations and obligations; and what kinds of spatio-temporal compositions might constitute these vacuoles? With this question we, the editors and authors, want to approach... >

Digital Methods Summer School project featured in the New York Times

Project from 2016 critiques stock images

The Digital Methods Summer School project from 2016 is a critique of stock images, and shows how the Lean In collection by Getty Images, aimed at empowering women, is used out of context. See ‘From Sex Object to Gritty Woman: The Evolution of Women in Stock Photos’     >

Book Publication Nocturnal Fabulations by Toni Pape, UD Media Studies,

(and others), April 2017

Nocturnal Fabulations: Ecology, Vitality and Opacity in the Cinema of Apichatpong Weerasethakul by Érik Bordeleau, Toni Pape, Ronald Rose-Antoinette and Adam Szymanski Introduction by Erin Manning We are happy to announce the publication of the book Nocturnal Fabulations, co-authored by Érik Bordeleau, Ronald Rose-Antoinette, Adam Szymanski and our colleague Toni Pape. Nocturnal Fabulations is a collective engagement with the cinema of Apichatpong Weerasethakul. This project, which proposes a collaboration across two practices: cinema and writing, is animated by a shared curiosity in the pragmatics of fabulation and its speculative gesture of bringing forth a people to come. In an encounter with Apichatpong’s cinematic dreamscape, the concepts of ecology, vitality and opacity emerge to articulate an ethos of fabulation that deframes experience, recomposes subjectivity and unfixes time. The book is published in English and French by the open access publisher Open Humanities Press. Engish version French version >

Boekpublicatie Marie-Aude Baronian

Screening Memory. The Prosthetic Images of Atom Egoyan, april 2017

Atom Egoyan, a Canadian of Armenian origin, is a prolific filmmaker and visual artist, having created a number of feature films, short films, video installations, and more. His extensive, dense, and multifaceted oeuvre, which delves into questions of heritage, alienation, loss, family, and traumatic history, has continually focused on the relationship between image and memory. While cinema and memory are inextricably bound (films register time, and filmic images are inscribed into our memories), Egoyan’s work takes up this assumption, questioning and complicating the nature of the relationship. Whether it is the relation between memory and audiovisual technology, memory and the Armenian Catastrophe, or memory and diaspora, it is by continually constructing and deconstructing the foundations of the image that these connections emerge. It is thus in these obsessive and repetitive dynamics that Egoyan creates and produces images, at once artificial and fragile, as prostheses of memory. >